Published by Bloodhound Books
ebook and paperback (10 January 2019)
About the Book
The Widow. The Secret. The Liar.
On a routine flight from Africa to England, Dr Mason Palmer is tragically killed when the light aircraft he’s travelling on crashes and disappears in dense bushland.
Ten months later, Nicole Palmer is still trying to block out the grief of her husband’s sudden death. Until one morning she receives a photo of Mason through the post, along with a cryptic message. A message only he could’ve written.
But when Nicole tries to find out if Mason is really alive and what actually happened to him in Africa, everyone she turns to for answers ends up dead.
Determined to find the truth, Nicole uncovers a conspiracy that spans the globe, and discovers there are powerful people who are prepared to kill to keep her silent.
Who’s lying? Who’s watching Nicole? And can she expose their murky secrets before they catch up with her?
Sibel Hodge is the international bestselling author of multiple thrillers including Look Behind You and Duplicity. The Disappeared is a twisty and suspenseful mystery thriller which will appeal to fans of authors like Caroline Mitchell, Mark Edwards and John Marrs.
To plot or not to plot? That is the question!
I often get asked whether I plan out my plot in advance before I start writing. Urgh, the dreaded P word, I think! I hate plotting. Absolutely hate it!
There are some authors who won’t type a single letter until they’ve got every inch of their plot structure finely tuned in advance. Some authors know their characters intimately before they begin writing, down to what they just had for breakfast. And I wish I could be like that, I really do. I think it could make my job a whole lot easier. But I’m definitely a fly by the seat of my knickers kind of girl! If I get too hung up spending a lot of time plotting in advance, I tend to lose my creativity. I start thinking about it too much and get nowhere. I think I must suffer from some kind of plot dyslexia, because as soon as I pull out a pad and pen and start trying to come up with vast plot notes, the words swim in front of my face in a blur and my brain turns to mush. Is there such a thing as plot-o-phobia?
But unfortunately, plotting is a necessary evil if you want to write a novel. Without a plot, it’s just words on the paper. Your plot should encompass all sorts of things: goals of the characters, conflict, crises, turning points, climax, resolution. And everything you write should advance the plot, although I personally think when writing comedy, you can get away with a few extras in there!
When I wrote my debut romantic comedy, Fourteen Days Later, I didn’t have a clue about any kind of plot, or characters, or structure. All I knew was that my heroine had to do a fourteen-day life-changing challenge, where she completed a new task every day. I knew my ending, but I didn’t have a clue what happened anywhere else. Hmm…slight problem, I hear you say! Well, yes, but as soon as I started tapping out the words on the keyboard it all developed naturally. My characters invented their own plot as they went along.
So far, so good, but what about the next novel? Surely this must’ve been some bizarre fluke, and I’d have to actually think of a plot in advance for the next one. Well, yes and no. My second novel was a comedy mystery. Because of the mystery element, I did need to know a few things before I started. Otherwise how would I weave in all the clues? So this time I did actually write an eency weency plot before I started. It was about three lines for each chapter of things I needed to happen. That was it, though, and I still didn’t have hardly any of my “clues” in there. But again, it all seemed to come together as I wrote it. Creative or crazy? I’m not sure which.
With my third novel, I was getting really stressed trying to plot. I read about different techniques like the Snowflake method and using index cards or graphs, even plotting software, but the plot-dyslexia was kicking in big time! Robert McKee’s Story is an excellent book, by the way, for plotting. (It’s for screenplays but works just as well for novels). But none of it helped me in writing a plot in advance. I wrote a few lines for the first two chapters and after that, nada! So once again, I just started to write and my characters invented their own story. The voices in my head just tell me to do things.
My fourth novel was also a mystery, so again I thought I’d need to at least write some lines of plot to allow for my clues. And this time I did it! Hurrah, I wrote out my plot in advance, doing a storyboard of a paragraph per chapter of things I needed to include. In a lot of ways it was easier to write in this way, but that was the only time I’ve ever managed it.
In my world (which is sometimes scary!) my plot advances on its own, with one scene logically following on from the next. I’m very much character driven. And what works for one author won’t work for another. Even what works for one novel won’t always work for another. However you choose to write a novel or story is very personal. Who knows whether I’ll finally get to write an advanced detailed plot for another novel. Watch this space and I’ll let you know!
My thanks to Emma Welton of Bloodhound Books and to Sibel for the guest post.
About the Author
Sibel Hodge is the author of the No 1 Bestsellers Look Behind You, Untouchable, and Duplicity. Her books have sold over one million copies and are international bestsellers in the UK, USA, Australia, France, Canada and Germany. She writes in an eclectic mix of genres, and is a passionate human and animal rights advocate.
Her work has been nominated and shortlisted for numerous prizes, including the Harry Bowling Prize, the Yeovil Literary Prize, the Chapter One Promotions Novel Competition, The Romance Reviews’ prize for Best Novel with Romantic Elements and Indie Book Bargains’ Best Indie Book of 2012 in two categories. She was the winner of Best Children’s Book in the 2013 eFestival of Words; nominated for the 2015 BigAl’s Books and Pals Young Adult Readers’ Choice Award; winner of the Crime, Thrillers & Mystery Book from a Series Award in the SpaSpa Book Awards 2013; winner of the Readers’ Favorite Young Adult (Coming of Age) Honorable award in 2015; a New Adult finalist in the Oklahoma Romance Writers of America’s International Digital Awards 2015, and 2017 International Thriller Writers Award finalist for Best E-book Original Novel. Her novella Trafficked: The Diary of a Sex Slave has been listed as one of the top forty books about human rights by Accredited Online Colleges.